2．名师名作 Masterpieces
（1）凯尔·克林特 KaareKlint
凯尔·克林特是丹麦现代设计派的开山鼻祖，被誉为丹麦现代家具之父。1924年，克林特组建了哥本哈根皇家艺术学院的家具设计系，并担任该系的教授及系主任。自此，丹麦设计学派形成并得到了飞速发展。早在1916年，克林特就主张家具设计的简洁化和实用性，现在的丹麦家具也是以这两种设计思想而闻名于世。后来为了使家具更具有舒适性和实用性，他曾对人体解剖学和人体肌肉的活动进行了详细的研究，他还是最先使用未上清漆的木料和自然织物的人之一。
Kaare Klint is the founder of Danish design. He has been viewed as the father of Danish modern furniture. In 1924, Klint organized a furniture design department of Royal College of Art in Copenhagen, and served as a professor and head of the Department.Since then, the Danish design school has established and developed rapidly. Early in 1916, Klint advocated the simplicity and practicality of furniture design, and now the Danish furniture is also known as these two design ideas. In order to make furniture more comfortable and practical, he did a detailed study of human anatomy and human muscle movement. He is the first person to use the wood of no varnish and natural fabrics.
克林特并不随波逐流，他没有淹没在“国际主义”的冷漠之中，反而走了一条全力挖掘传统的道路。在克林特的“传统”中对英国乡村家具、中国明清家具颇为重视，克林特早期就意识到，家具设计的主要问题就是运用前人作品中的精华进行现代设计。“传统”不论古今，不论国别，只要认为合适，就可以拿来研究和改进，最后创造出自己的作品。他从各国文化出发研究了众多家具，仔细分析了它们的比例和尺寸，博采众家之长以设计出实用、美观的现代家具。他的这些设计方法激发了后人对“功能主义”家具的兴趣，在20世纪30年代被其他国家的设计师广泛采用。
Klint did not follow the crowd, and he did not drown in the“internationalism” styles. On the contrary, he did a full excavation on traditional road.In Klint's road of tradition, he paid attention to the furniture of United Kingdom and the Ming and Qing Dynasties in China. Klint had realized early that the main problem of the furniture design is the use of the essence of previous works in modern designing. Regardless of ancient, modern or countries, as long as it is suitable, it can be used for study and improvement, and finally to create their own works.He did researches on a lot of furniture from the aspect of various cultures in different countries. He carefully analyzed their size and proportion and gathered their unique excellence to design elegant and practical furniture. His design method had inspired the later generations of the“functionalism”. It was widely used by designers in other countries in 1930s.
克林特引导学生系统地研究室内设计和家具的理论知识、生理学及人体工程学等，为丹麦现代设计的崛起打下良好的基础，并直接或间接地培养了一大批丹麦现代家具设计的大师级人物，如：奥尔·温谢尔、布吉·莫根森、汉斯·韦格纳等。
Klint guided the students to systematically analyze the theoretical knowledge of interior and furniture design, physiology andergonomics etc, for laying a sound foundation on Danish modern design. It had directly or indirectlycultivated a large number of Danish modern furniture master designers, such as, Ole Wanscher, Borge Mogensen and Hans J. Wegner etc.
Faaborg 椅
发表年份：1914
材料：桃花心木、藤
这款椅子是专门为法堡博物馆设计的，并在1914年～1923年间生产了大量的变形设计。
Faaborg Chair
The year of coming out: 1914
Materials:mahogany, rattan
The chair was designed by Kaare Klint for the FAABORG museum. A large number of deformed designs produced during 1914 to 1923.
红椅（巴塞罗那椅）
发表年份：1927
材料：桃花心木、皮
红椅因在1929年巴塞罗那博览会上获奖，所以又称巴塞罗那椅。这款椅子的设计很明显受到了英国著名家具大师齐宾泰尔的影响。
Red Chair or Barcelona chair
The year of coming out: 1927
Materials: mahogany, leather
The chair is also named Barcelona chair as it had rewarded in 1929 Barcelona Expo.This chair is obviously influenced by the design of the famous British furniture master Thomas Chippendale.
折叠式躺椅
发表年份：1933
材料：柚木、藤条、帆布
椅子搁腿的部分可以折叠至座位下，既可以躺着也可以坐着，而且座椅本身也可折叠，方便储藏。
Deck Chair
The year of coming out: 1933
Materials:teak, rattan, canvas
Chair legs can be folded up under the seat, and can be either lying or sitting. The seat can be folded to put into facilitate storage.
螺旋凳
发表年份：1927
材料：岑木、帆布
螺旋凳取名于其独特的腿部曲线造型，当这张凳子折叠起来后，腿部形成圆柱状。螺旋凳的造型成功在于把简单的凳腿通过丰富的曲面而表现得与众不同。
Propeller Stool
The year of coming out: 1927
Materials: ash wood, canvas
The chair is named after its unique leg curve shape. When the stool is folded, it will form cylindrical shape legs. The success of this modeling lies in the simple stool legs through the rich surface and the extraordinary performance.
安乐椅
发表年份：1932
材料：桃花心木、皮、藤
安乐椅的扶手与腿部一体结合，前腿直，后退弯曲，既强调整体舒适感又体现个性设计。
Easy Chair
The year of coming out: 1932
Materials: mahogany, leather, rattan
The arms and chair legs are integrated with the front legs straight and bent in the back. It not only emphasized the overallcomfortable feeling but also the character of design.
旅行椅
发表年份：1933
材料：岑木，帆布
旅行椅的原型是英国军队在印度殖民地使用的椅子，造型极为简单，方便携带。瑞典设计师Arne Norrel正是由于受到此款椅子的影响，后来才设计了一款相似的椅子。
Safari Chair
The year of coming out: 1933
Materials: ash wood, canvas
The prototype of the Safari chair was used in the British army in India.It is very simple and easy to carry. Swedish designer Arne Norrel designed a similar chair after the influence of this chair.
（2）阿尔瓦·阿尔托 Alvar Aalto
阿尔瓦·阿尔托是芬兰现代建筑师，人情化建筑理论的倡导者，同时也是一位设计大师及艺术家。
Alvar Aalto is a Finnish modern architect. He advocates humanism architectural theory. He is also a master designer and an artist.
阿尔瓦·阿尔托与他的夫人——设计师阿诺·玛赛奥（Aino Marsio）共同进行了长达5年的木材弯曲实验，这项研究促使了阿尔托20世纪30年代革命性设计的产生。
Alvar Aalto and his wife had carried a 5 years experiment on bending wood. The research promoted the emergence of Aalto's innovative design in 1930s.
1929年，阿尔瓦·阿尔托运用功能主义建筑思想与他人合作设计了为纪念土尔库建城700周年而举办的展览会的建筑。他抛弃了传统风格的一切装饰，使现代主义建筑首次在芬兰呈现，推动了芬兰现代建筑的发展。1931-1932年，阿尔托设计了芬兰帕伊米奥结核病疗养院，一起在那里亮相的还有他最初设计的现代化家具，这是阿尔托的家具设计走向世界的重要突破。
In 1929, Alvar Aalto adopted functionalism architecture ideas and associated with others designed a 700 anniversary exhibition building for commemorating the building of Turku city.He abandoned all the decorations in traditional style and presented the modernism architecture for the first time in Finland. It had pushed the development of Finland, s modern architecture. In 1931 to 1932, Alto designed the Sanatorium Paimio in Finland, and other modern furniture indoors. This is a significant breakthrough for Alto, s furniture to gain an international popularity.
帕米奥椅
发表年份：1932
材料：层压胶合板
“帕米奥椅”是为“帕米奥疗养院”设计的。这件简洁、轻便又充满雕塑美的家具是由一整块薄板和塑造好的夹板共同拼合而成。它最明显特征的圆弧形转折并非出于装饰，而完全是结构和使用功能的需要，椅背上部的三条开口是为使用者提供的通气口。
Paimio
The year of coming out: 1932
Material:Laminated plywood
Paimio was designed for PaimioSanatorium. This concise and light chair is full of sculpture shape, as it is formed by a slight board and shapedplywood. The most obvious feature of this chair is its circular arc line. It is designed for the demand of function and well structure. The three openings on the upper part of the seat back are used to provide ventilation for user.
圆凳
发表年份：1932
材料：层压胶合板
阿尔托为维堡图书馆设计的一种叠落式圆凳，其最惊人的特点就是后来被称作“阿尔托凳腿”，面板与承足的连接，圆凳只有四个极为简单的构件，而叠落所形成的三重螺旋轨迹本身又构成了一件有趣的雕塑艺术品。圆凳设计的尺度，比例均可依具体场合的使用需要进行调整，同时亦可加上或高或低的靠背变成普通椅或酒吧椅。
Viipuri Stool
The year of coming out: 1932
This chair was designed for Viipurili library.The stunning feature of this stool is called “Aalto leg”, as its special junction of board and the legs. The round stool has only four simple components, and the formation of the three-spiral trajectory is an interesting sculpture art. The size and proportion of this stool can be adjusted to different occasions. The legs can be lengthened and a chair back can added to displayed in the bar.
扇足凳
发表年份：1954
材料：桦木
扇足凳吸取了扇贝形态的元素，在凳腿与坐面的结合处作了巧妙的设计，装饰简洁而效果突出，凳腿线条的处理使整个圆凳更加挺拔，更加自然。
Fan-leg Stool
The year of coming out: 1954
Material: birch
Scallop inspired the design of this round stool. The junctionof legs and surface is an ingenious design presents a simple decoration and outstanding impression. The processing lines make the stool and legs more upright, and natural.
层压胶合板悬挑椅
发表年份：1931-1932
材料：层压胶合板，皮带
1938年问世的层压胶合板悬挑椅是阿尔托在家具设计领域取得的又一伟大成就。马特·斯坦于1926年设计出第一把悬挑椅，从那时起，人们就误认为钢材是唯一能用于这种结构的材料。然而，阿尔瓦·阿尔托却在反复实验后确信层压胶合板也具备这样的性能，并成功地设计出了这件世界家具史上的第一把层压胶合板悬挑椅。
Armchair 31
The year of coming out: 1931-1932
Material: Laminatedplywood, leather belt
In 1938, the invention of this advent of laminated plywood hanging chair is a great achievementin the field of furniture design for Aalto. Stam Mart in 1926 design a hanging chair, from then on, people mistakenly believe that steel is the only material that can be used for chair structure. However, after several experiments, Alvar Aalto convinced that the laminated plywood also can achieve such performance, and successfully designed the world's first laminated plywood cantilever chair in the furniture history.
茶盘车
发表年份：1936-1937
材料：层压胶合板
阿尔瓦·阿尔托为阿太克公司设计的手推车式茶几，它采用光滑弯曲的胶合板制造，没有使用任何国外的标准组件，例如像螺钉和可拆装的连接件。整个作品很简单，即使是扶手也仅用一根硬木圆杆便制作而成。
Tea Cart
The year of coming out:1936-1937
Material:Laminated plywood
This Tea Cart was designed for Artek Company. It is made of smooth and curved plywood, without using any foreign standard components such as screws and removable connectors.The entireproject is very simple, even its handrail is made ofa single hardwood round bar.
（3）雅各·布森 Arne Jacobsen
雅各·布森是20世纪最具影响力的北欧建筑师和工业设计大师，被誉为丹麦国宝级设计大师，北欧的现代主义之父，是“丹麦功能主义”的倡导人，他与勒·柯布西耶、密斯·凡德罗、阿斯普朗德等欧洲设计师共同主张简约风格设计。他不仅是20世纪最伟大的建筑师之一，同时在家具、灯饰、纺织品等应用艺术上皆有独到的见解与成就。
Arne Jacobsen was the most influential Nordic architects and industrial design master in 20th Century. He was Known as the Danish National Design Master, the father of the Nordic modernism, and is the advocator of "Danish functionalism". Le Corbusier, Mies van der Rohe, GunnarAsplund, Jacobsen and other designers in Scandinavia all advocated a concise style design.He is not only one of the greatest architects of 20thcentury, but also have unique insights and achievements in the furniture, lighting, textiles and other applied arts.
雅各·布森将自身对建筑的独特见解延伸至家饰品，他亲自为他的建筑内部设计家具装饰品，创造出诸如蚂蚁椅、蛋椅、天鹅椅等旷世之作，以及雅宅、工厂、展示间、纺织品、时钟、壁灯以及门把手等多元创作作品。雅各·布森的设计将自然流畅的雕刻式造型与北欧设计的传统特质加以结合，使其作品兼具造型美观与结构完整的特色。他的作品至今依然保持吸引力，且深得人们的喜爱。
Arne Jacobsenextended his unique insight to other decorating, and designedfurniture decorations for the architectural interiors, such as Ant Chair, Egg Chair, Swan Chair and , and multiple creative works such as houses, factories, showroom, fabric, wall clock, door handle multiple works.Arne Jacobsen's design combined the natural flow of sculpture and traditional characteristics of Scandinavia, so that his works are beautiful and enjoy a characteristic of structural integrity. Until now, his works still remain attractive and are deeply loved by people.
蛋椅
发表年份：1958
材料：聚亚安脂、铝、皮
这把椅子的椅身、后背和扶手是由一整块聚亚安脂制成，整个造型取自蛋的形状，形体线条简洁流畅。使用者坐进去后整个身体被包在椅子里，有种被拥抱的温暖感，非常舒适。
Egg Chair
The year of coming out: 1958
Material:polyurethane, aluminum, leather
The chair is made of a whole piece of polyurethane, the shape is preformed as an egg shape. The lines are concise and smooth. One would feel comfortable and wrapped in this chair when sits in. It creates a feeling of surrounding by warm arms, that make people relax.
天鹅椅
发表年份：1958
材料：聚亚安脂、铝、织物
天鹅椅的造型形象生动，宛如一只正在湖面上悠闲戏水的天鹅，故得名天鹅椅。天鹅椅后来也被投入到天鹅长沙发的造型之中。
Swan Chair
The year of coming out: 1958
Materials: polyurethane, aluminum, fabric
This Swan Chair makes people associate with swans. Swan chair is also put into the shape of the Swan long sofa.The vivid shape of Swan chair like a bird on the surface of the swan, therefone named Swan chair.
蚂蚁椅
发表年份：1951
材料：榉树木，不锈钢
这把椅子是因其外形酷似蚂蚁而得名，虽然现在为了更稳定做成了四条腿，但最开始时是设计成三条腿的。
Ant Chair
The year of coming out: 1951
Materials: Schneider zelkova wood, stainless steel
The shape of this chair resembles ants, that is why it was named Ant Chair. At the beginning of the design it had three chair legs, but concern of the stability, it changed to four legs.
大奖赛层压椅
发表年份：1957
材料：层压模制胶合板
这把椅子的椅身和腿都是由层压木板制成，其后背的造型比蚁椅棱角更加分明，椅身曲线让使用者落坐时更舒适。
Grand Prix Chair with Wood Legs
The year of coming out: 1957
Material: Laminated molded plywood
The chair and legs are made of Laminated board. The shape of the chair back is more distinct than Ant Chair. The curve line makes people to feel more comfortable when sits in.
壶椅
发表年份：1959
材料：聚亚安脂，钢管，织物
这款椅子因造型和有趣的名字而闻名。
Pot Chair
The year of coming out: 1959
Materials: polyurethane, steel tube, fabric
This chair is famous for its interesting name and shape.
水滴椅
发表年份：1958
材料：聚亚安脂、钢管、皮
水滴椅的创意源于自然界水滴的形态，被设计为酒吧椅，它的椅身、后背同样是由一整块聚亚安脂制成，造型简洁，自然流畅。
Drop Chair
The year of coming out: 1958
Materials: polyurethane, steel tube, leather
The shape of this chair inspired by the shape of water drops. It was designed to fit in the bar. The chair and the chair back are made of a whole piece of polyurethane. The shape is concise and the lines are natural and smooth.
七椅
发表年份：1955
材料：层压胶合板、钢
七椅是雅各布森的代表作之一，后来产生了很多变形设计，以满足不同的需求。这款椅子从设计到生产整整带动了一个行业，深受大众的欢迎。
Seven Chair
The year of coming out: 1955
Materials: Laminated plywood, steel
This chair is one of the masterpieces of Jacobsen. It has many deformation design to meet different requirements. The design and production of this chair stimulated a whole industry. It had gained wide popularity.
（4）布吉·莫根森 Borge Mogensen
提到20世纪丹麦家具设计的现代化与大众化时，必然会提到丹麦消费者合作社FDB所属的家具设计部门，而它的主创者正是布吉·莫根森。作为凯尔·克林特的优秀学生，莫根森具有超出常人的创造能力，他设计了诸多造型简练优美、价格亲民的家具，例如著名的J39及Spoke-back Sofa。
Refer to the modernization and popularization of furniture design in 20th century, the furniture design apartment in Danish consumers cooperative FDB will not be neglected. And Borge Mogensen is the founder. As one of the excellent students of Kaare Klint, Mogensen had distinctive creativity. He created a lot of simple and elegant furniture, and the price is affordable, such as the J39 and Spoke-back Sofa.
在1950年秋季以狩猎小屋为主题的丹麦家具匠师公会的展览中，布吉·莫根森以线条优美、大气的猎椅颇受好评。1958年在游访了西班牙之后，他设计出了具有北非伊斯兰风格的作品——西班牙椅，成为莫根森的另一件代表作。莫根森的风格注重功能主义，并且体现传统与现代的结合。他主张好的家具不应该是少数人的玩物，而应该让人人都能拥有，借助工业化量产实现价格平民化，他的这一主张在丹麦乃至全世界都仍然发挥着影响。
In the fall of 1950, the exhibition of Danish Copenhagen Cabinet-makers Guild had the theme of hunting house. Borge Mogensen's elegant and splendid Hunting Chair was highly praised. After his traveling in Span in 1958, he designed a Spanish Chair with full of North African Islamic style. It had became his another representative work. Mogensen paid attention to functionalism, and the presentation oftraditional and modern combination. He advocated that furniture should not be the play things of few people, but should belong to everyone. With the help of efficient industrialization, he achieved the common price of furniture. His concept is still influencing in Denmark and the whole world.
猎椅
发表年份：1950
材料：橡木、皮
这款椅子的主要特点是采用皮带系紧结构来绷紧坐面和靠背。
Hunting Chair
The year of coming out: 1950
Materials: oak, leather
The characteristic of this chair is using tightened leather as a belt to create seat and chair back.
西班牙椅
发表年份：1958
材料：橡木、皮
这张隐含着浓郁北非伊斯兰风格的椅子，造型厚重、粗犷。
Spanish Chair
The year of coming out: 1958
Materials: oak, leather
This heavy and crude chair embedded a strong North Africa Islamic style.
布吉·莫根森两人位沙发
发表年份：1962
材料：实木、海绵、皮
布吉．莫根森两人位沙发是设计师莫根森在1962年为自己的家设计的，双人位沙发拥有简单的线条，饱满的座垫和精美的做工，扶手和靠背的高度确保了客户最大的舒适度。
Borge Mogensen Two Seater Sofa
The year of coming out: 1962
Materials: solid wood, sponge, leather
Mogensen designed this sofa for his own house in 1962. It has simple lines, fluffy cushions and delicate handcraft. The height armrest and sofa back are designed to provide the most comfortable feeling when sits in.
（5）汉斯·韦格纳 Hans J.Wegner
丹麦设计师汉斯·韦格纳是20世纪最伟大的家具设计师之一，他一生作品超过500种，有的作品现在来看也是前卫而时尚的，是全球公认的最具创造力且多产的家具设计师。丹麦当今木制家具的声誉应首先归功于汉斯·韦格纳的设计，另外他还设计了很多灯具、墙纸、银器等。
Danish designer Hans J.Wegner was one of the greatest furniture designers in 20th Century. His works are numerous, more than 500 kinds, and some of his works are still vant-garde and fashionable today. He was the world's most creative and prolific furniture designer. Nowadays, the reputation of Danish wooden furniture should first attribute to Hans Wagner‘s design. In addition, he also designed many lamps and lanterns, wallpaper, silverware and so on.
汉斯·韦格纳早年潜心研究中国家具，1945年设计的系列中国椅就吸取了中国明代圈椅的精华。汉斯·韦格纳的设计尊重传统，崇尚自然，包含了一种“人情味”的现代美学。他设计的椅子结构科学，充分发挥材料特性，体现造型优美、细节完善、舒适简朴的风格特色，被人们称为椅子大师。汉斯·韦格纳非常看重手工艺，追求完美的手工艺雕琢打磨的细腻感。他的作品很少有生硬的棱角，转角处一般都处理成圆滑的曲线，给人以亲近之感。
Hans Wegner did a deep research on Chinese furniture in early years. The China Chair designed in 1945 was absorbed the essence of the chairs in Chinese Ming-Dynasty. The designs of Hans Wegner respect tradition and nature, and embraced an esthetic of humanism. The design and structure of his chairs is very scientific, and thoroughly illustrated the specialty of materials. The shapes are elegant and details are delicate. All present the comfortable and simple feature. He was called chair master. Hans Wegner pays attention to handcraft. He pursuit perfection and delicate sense of exquisite craftsmanship.His design rarely has blunt edges, and the corners are generally treated as smooth curve, for creating a sense of intimacy.
中国椅
发表年份：1944
材料：樱桃木或桃花木、皮革
这是韦格纳中国系列的第一把椅子，是在吸取中国传统圈椅元素的基础上，融合北欧的简洁格调设计而成。
China Chair
The year of coming out: 1944
Materials: cherry wood, mahogany, leather
This is the first chair of Wagner, s Chinese series. It based on the Chinese chair, s traditional elements, and a simple integration of the Nordic design and style.
Y型椅
发表年份：1950
材料：橡木，纸绳
这把椅子也是以中国传统圈椅为原型，巧妙地融合北欧的有机曲线，把弧度美到了极致。用“Y”字形的椅背，取代厚重的传统中式椅背，让中国沉重的太师椅，变得轻巧而灵活。
Y chair
The year of coming out: 1950
Materials: oak, paper string
This chair is also based on the traditional Chinese armchair, skillfully combined Nordic organic curves. It presents the beauty of extreme bending. The “Y” shape chair back replaced the traditional Chinese chair back to turn the old fashioned armchair to light and flexible chair.
椅
发表年份：1950
材料：柚木，皮革
这把椅子是韦格纳的代表作，被称为“世界上最漂亮的椅子”。这把椅子最初是为有腰疾的人设计的，坐上去十分舒服，它拥有流畅优美的线条，高雅的造型和精致的细部处理。
The Chair
The year of coming out: 1950
This chair is Wegner's masterpiece, known as the world's most beautiful chair.This chair was originally designed for people with waist disease. It is very comfortable when sits in. It has smooth and elegant lines , exquisite detail processing, elegant and simple shape.
孔雀椅
发表年份：1947
材料：岑木，柚木，纸绳
汉斯·韦格纳最独特的椅子之一。这把椅子的外形酷似孔雀的形态，表现了他早期对仿生设计的探索，也表现了他丰富的创造力和以自然为本的设计理念。
Peacock Chair
The year of coming out: 1947
Materials: ash wood, teakwood, paper string
This is the most special chair of Hans Wegner's design. The shape of this chair looks like peacock, which shows his early exploration of bionic design and also shows his rich creativity and natural design concept.
旗绳椅
发表年份：1950
材料：镀铬钢管、纸绳
这是一把有设计史料价值的躺椅。汉斯·韦格纳向现代主义大师勒·柯布西耶、密斯·凡德罗和马塞尔·布劳耶学习，用现代主义的手法来设计，使用现代的镀铬钢管做框架，旗索绳编制座位，羊皮来增加柔和舒适度。
Flag Halyard Chair
The year of coming out: 1950
Materials: chromiumplated steel pipe, paper string.
The design of this chair has historical value. Hans Wagner used modernism approach on the design. It learned from modernism master Le Corbusier, Mies van der Rohe and Marcel Breuer.Using modern chrome plated steel tube as the frame, and knitted rope arrangement of seats, sheep skin to increase soft comfort.
挂衣椅
发表年份：1953
材料：橡木
1953年汉斯·韦格纳同建筑师拉斯姆森和玻约森聊天时，谈到就寝时折叠衣服的麻烦，于是就有了这个有趣的设计。为了让它看起来更加轻便，设计师将四条腿改为三条腿。
Valet Chair
The year of coming out: 1953
Material: oak
In 1953, Hans Wagner, architects Steen Eiler Rasmussen and Bo Bojesen were inspired in their conversation. They were all troubled in folding clothes when they are in school dorm, thus this interesting design came up. To make it more light and handy, designers changed the four chair legs to three.
（6）艾洛·阿尼奥 Eero Aarnio
艾洛·阿尼奥1932年出生于芬兰，是波普风格家具设计大师之一。艾洛·阿尼奥的许多作品在全球都有很高的知名度，并获得了诸多工业设计奖项。例如，他在1963年设计的球形椅，是以玻璃纤维制成的球形椅子，很快就被大量地制造生产，风靡全球。在阿尼奥的设计中玻璃纤维是他最喜欢使用的材料。其他代表作品还有糖果椅、番茄椅和极富未来感的泡泡椅等。
EeroAarnio was born in 1932 in Finland. Many of his works have very high reputation in the world, and received several industrial design awards. For example, the round Ball Chair he designed in 1963 is made of glass fibre. It was soon produced in large number, and universally popularized. The glass fibre is his favored material. Other representative works such as Pastil Chair, Tomato Chair, and Bubble Chiar which with full of future sense. Aarnio was one of the master of Pop Art.
球形椅
发表年份：1963
材料：玻璃纤维
从圆形的球状体中挖出一部分或使它变平，可以形成一个独立的单元座椅，甚至形成一个围合空间，因此被称为“房间中的房间”。它提供了一个平静而私密的空间，可令人保持长时间的放松。
Ball Chair
The year of coming out: 1963
Materials: glass fibre
This is a chair with independent seat, forming by an enclosed round space, which is empty but with a flat seat. It is called a room in the room ". It provides a quiet and private space. It makes people feel relaxed and wants to stay for a long time.
泡泡椅
发表年份：1963
材料：透明亚克力，钢管
透明的亚克力加上钢圈和椅垫制成的大型吊椅，摆脱了椅子只能放在地板上的呆板印象。悬吊在天花板上宛如飘浮在空气中的泡泡一般，澄净而透明，未来感十足。
Bubble Chair
The year of coming out: 1963
Materials: transparent acrylic, steel pipe
This chair with large seat is made of transparent acrylic and steel pipe. It jumped out of the stereotype of that chair should be placed on the ground. The chair hanging on the roof and suspended in the air like a bubble, it is clear and transparent, and with full of future sense.
小马椅
发表年份：1973
材料：聚酯冷凝泡沫、羊绒布
小马椅是由柔韧性聚酯冷凝泡沫包在金属骨架外面构成的，椅子的表面材料是流行的丝绒。
Pony Chair
The year of coming out: 1973
Materials: polyester condensation foam, cashmere fabric
Pony chair is made of flexible polyester condensation foam as the skin to wrap the metal skeleton inside. The material of the chair surface is popular velvet.
糖果椅
发表年份：1968
材料：压模玻璃纤维
阿尼奥在1968年设计了糖果椅，这个椅子反映出了美国二十世纪六七十年代自由浪漫的气息。因此他获得了美国工业设计奖。《纽约时代》评价球椅和糖果椅时说：“这是支撑人体的最舒适的一种形态。”
Pastil Chair
The year of coming out: 1968
Materials: molded glass fibre
Eero designed this chair in 1968. This chair typically represent the romantic atmosphere of 1960s and 1970s in America The design of this chair brought Eero American's Industrial Design Excellence Awards. New York Times made comment on this design that “ This is the most comfortable form of supporting human body.”
番茄椅
发表年份：1971
材料：压模玻璃纤维
番茄椅是由球形椅和糖果椅变化而成的，以流畅的弧线和曲面取代传统椅子的直线和直角，成为椅子造型设计中的经典作品，它由两个圆形的扶手和三角形的靠背构成，独特新颖。
Tomato Chair
The year of coming out: 1971
Material: molded glass fibre
Tomato chair was transformed from Ball Chair and Pastil chair. The smooth curves and curved surface replaced the straight lines and right angle of the traditional chair. It has become the classical works in the filed of chair designing.Two round chair arms and a triangle back as the structure of this chair, make this design very fresh and unique.