Heartbreak House
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第40章

Well, don't waste your jealousy on my moustache. Never waste jealousy on a real man: it is the imaginary hero that supplants us all in the long run. Besides, jealousy does not belong to your easy man-of-the-world pose, which you carry so well in other respects.

RANDALL. Really, Hushabye, I think a man may be allowed to be a gentleman without being accused of posing.

HECTOR. It is a pose like any other. In this house we know all the poses: our game is to find out the man under the pose. The man under your pose is apparently Ellie's favorite, Othello.

RANDALL. Some of your games in this house are damned annoying, let me tell you.

HECTOR. Yes: I have been their victim for many years. I used to writhe under them at first; but I became accustomed to them. At last I learned to play them.

RANDALL. If it's all the same to you I had rather you didn't play them on me. You evidently don't quite understand my character, or my notions of good form.

HECTOR. Is it your notion of good form to give away Lady Utterword?

RANDALL [a childishly plaintive note breaking into his huff]. Ihave not said a word against Lady Utterword. This is just the conspiracy over again.

HECTOR. What conspiracy?

RANDALL. You know very well, sir. A conspiracy to make me out to be pettish and jealous and childish and everything I am not.

Everyone knows I am just the opposite.

HECTOR [rising]. Something in the air of the house has upset you.

It often does have that effect. [He goes to the garden door and calls Lady Utterword with commanding emphasis]. Ariadne!

LADY UTTERWORD [at some distance]. Yes.

RANDALL. What are you calling her for? I want to speak--LADY UTTERWORD [arriving breathless]. Yes. You really are a terribly commanding person. What's the matter?

HECTOR. I do not know how to manage your friend Randall. No doubt you do.

LADY UTTERWORD. Randall: have you been making yourself ridiculous, as usual? I can see it in your face. Really, you are the most pettish creature.

RANDALL. You know quite well, Ariadne, that I have not an ounce of pettishness in my disposition. I have made myself perfectly pleasant here. I have remained absolutely cool and imperturbable in the face of a burglar. Imperturbability is almost too strong a point of mine. But [putting his foot down with a stamp, and walking angrily up and down the room] I insist on being treated with a certain consideration. I will not allow Hushabye to take liberties with me. I will not stand your encouraging people as you do.

HECTOR. The man has a rooted delusion that he is your husband.

LADY UTTERWORD. I know. He is jealous. As if he had any right to be! He compromises me everywhere. He makes scenes all over the place. Randall: I will not allow it. I simply will not allow it.

You had no right to discuss me with Hector. I will not be discussed by men.

HECTOR. Be reasonable, Ariadne. Your fatal gift of beauty forces men to discuss you.

LADY UTTERWORD. Oh indeed! what about YOUR fatal gift of beauty?

HECTOR. How can I help it?

LADY UTTERWORD. You could cut off your moustache: I can't cut off my nose. I get my whole life messed up with people falling in love with me. And then Randall says I run after men.

RANDALL. I--

LADY UTTERWORD. Yes you do: you said it just now. Why can't you think of something else than women? Napoleon was quite right when he said that women are the occupation of the idle man. Well, if ever there was an idle man on earth, his name is Randall Utterword.

RANDALL. Ariad--

LADY UTTERWORD [overwhelming him with a torrent of words]. Oh yes you are: it's no use denying it. What have you ever done? What good are you? You are as much trouble in the house as a child of three. You couldn't live without your valet.

RANDALL. This is--

LADY UTTERWORD. Laziness! You are laziness incarnate. You are selfishness itself. You are the most uninteresting man on earth.

You can't even gossip about anything but yourself and your grievances and your ailments and the people who have offended you. [Turning to Hector]. Do you know what they call him, Hector?

HECTOR } [speaking { Please don't tell me.

RANDALL } together] { I'll not stand it--LADY UTTERWORD. Randall the Rotter: that is his name in good society.

RANDALL [shouting]. I'll not bear it, I tell you. Will you listen to me, you infernal--[he chokes].

LADY UTTERWORD. Well: go on. What were you going to call me? An infernal what? Which unpleasant animal is it to be this time?

RANDALL [foaming]. There is no animal in the world so hateful as a woman can be. You are a maddening devil. Hushabye, you will not believe me when I tell you that I have loved this demon all my life; but God knows I have paid for it [he sits down in the draughtsman's chair, weeping].

LADY UTTERWORD [standing over him with triumphant contempt].

Cry-baby!

HECTOR [gravely, coming to him]. My friend, the Shotover sisters have two strange powers over men. They can make them love; and they can make them cry. Thank your stars that you are not married to one of them.

LADY UTTERWORD [haughtily]. And pray, Hector--HECTOR [suddenly catching her round the shoulders: swinging her right round him and away from Randall: and gripping her throat with the other hand]. Ariadne, if you attempt to start on me, I'll choke you: do you hear? The cat-and-mouse game with the other sex is a good game; but I can play your head off at it. [He throws her, not at all gently, into the big chair, and proceeds, less fiercely but firmly]. It is true that Napoleon said that woman is the occupation of the idle man. But he added that she is the relaxation of the warrior. Well, I am the warrior. So take care.

LADY UTTERWORD [not in the least put out, and rather pleased by his violence]. My dear Hector, I have only done what you asked me to do.

HECTOR. How do you make that out, pray?

LADY UTTERWORD. You called me in to manage Randall, didn't you?

You said you couldn't manage him yourself.

HECTOR. Well, what if I did? I did not ask you to drive the man mad.

LADY UTTERWORD. He isn't mad. That's the way to manage him. If you were a mother, you'd understand.

HECTOR. Mother! What are you up to now?