第2章 THE LAST OF THE TROUBADOURS(2)

Old man Ellison's smiles came back and filled his wrinkles when he saw Sam.He hurried out of the house in his shuffling, limping way to greet him.

"Hello, Mr.Ellison," called Sam cheerfully."Thought I'd drop over and see you a while.Notice you've had fine rains on your range.They ought to make good grazing for your spring lambs.""Well, well, well," said old man Ellison."I'm mighty glad to see you, Sam.I never thought you'd take the trouble to ride over to as out-of-the-way an old ranch as this.But you're mighty welcome.'Light.

I've got a sack of new oats in the kitchen -- - shall I bring out a feed for your hoss?""Oats for him?" said Sam, derisively."No, sir-ee.He's as fat as a pig now on grass.He don't get rode enough to keep him in condition.I'll just turn him in the horse pasture with a drag rope on if you don't mind."I am positive that never during the eleventh and thirteenth centuries did Baron, Troubadour, and Worker amalgamate as harmoniously as their parallels did that evening at old man Ellison's sheep ranch.The Kiowa's biscuits were light and tasty and his coffee strong.Ineradicable hospitality and appreciation glowed on old man Ellison's weather-tanned face.As for the troubadour, he said to himself that he had stumbled upon pleasant places indeed.A well-cooked, abundant meal, a host whom his lightest attempt to entertain seemed to delight far beyond the merits of the exertion, and the reposeful atmosphere that his sensitive soul at that time craved united to confer upon him a satisfaction and luxurious ease that he had seldom found on his tours of the ranches.

After the delectable supper, Sam untied the green duck bag and took out his guitar.Not by way of payment, mind you -- neither Sam Galloway nor any other of the true troubadours are lineal descendants of the late Tommy Tucker.You have read of Tommy Tucker in the works of the esteemed but often obscure Mother Goose.Tommy Tucker sang for his supper.No true troubadour would do that.He would have his supper, and then sing for Art's sake.

Sam Galloway's repertoire comprised about fifty funny stories and between thirty and forty songs.He by no means stopped there.He could talk through twenty cigarettes on any topic that you brought up.And he never sat up when he could lie down; and never stood when he could sit.I am strongly disposed to linger with him, for I am drawing a portrait as well as a blunt pencil and a tattered thesaurus will allow.

I wish you could have seen him: he was small and tough and inactive beyond the power of imagination to conceive.He wore an ultramarine-blue woollen shirt laced down the front with a pearl-gray, exaggerated sort of shoestring, indestructible brown duck clothes, inevitable high-heeled boots with Mexican spurs, and a Mexican straw sombrero.

That evening Sam and old man Ellison dragged their chairs out under the hackberry trees.They lighted cigarettes; and the troubadour gaily touched his guitar.Many of the songs he sang were the weird, melancholy, minor-keyed _canciones_ that he had learned from the Mexican sheep herders and _vaqueros_.One, in particular, charmed and soothed the soul of the lonely baron.It was a favourite song of the sheep herders, beginning:

"_Huile, huile, palomita_," which being translated means, "Fly, fly, little dove." Sam sang it for old man Ellison many times that evening.

The troubadour stayed on at the old man's ranch.There was peace and quiet and appreciation there, such as he had not found in the noisy camps of the cattle kings.No audience in the world could have crowned the work of poet, musician, or artist with more worshipful and unflagging approval than that bestowed upon his efforts by old man Ellison.No visit by a royal personage to a humble woodchopper or peasant could have been received with more flattering thankfulness and joy.

On a cool, canvas-covered cot in the shade of the hackberry trees Sam Galloway passed the greater part of his time.There he rolled his brown paper cigarettes, read such tedious literature as the ranch afforded, and added to his repertoire of improvisations that he played so expertly on his guitar.To him, as a slave ministering to a great lord, the Kiowa brought cool water from the red jar hanging under the brush shelter, and food when he called for it.The prairie zephyrs fanned him mildly;mocking-birds at morn and eve competed with but scarce equalled the sweet melodies of his lyre; a perfumed stillness seemed to fill all his world.

While old man Ellison was pottering among his flocks of sheep on his mile-an-hour pony, and while the Kiowa took his siesta in the burning sunshine at the end of the kitchen, Sam would lie on his cot thinking what a happy world he lived in, and how kind it is to the ones whose mission in life it is to give entertainment and pleasure.Here he had food and lodging as good as he had ever longed for; absolute immunity from care or exertion or strife; an endless welcome, and a host whose delight at the sixteenth repetition of a song or a story was as keen as at its initial giving.Was there ever a troubadour of old who struck upon as royal a castle in his wanderings? While he lay thus, meditating upon his blessings, little brown cottontails would shyly 'frolic through the yard;a covey of white-topknotted blue quail would run past, in single file, twenty yards away; a _paisano_ bird, out hunting for tarantulas, would hop upon the fence and salute him with sweeping flourishes of its' long tail.

In the eighty-acre horse pasture the pony with the Dantesque face grew fat and almost smiling.The troubadour was at the end of his wanderings.

Old man Ellison was his own _vaciero_.That means that he supplied his sheep camps with wood, water, and rations by his own labours instead of hiring a _vaciero_.On small ranches it is often done.