第56章 CHAPTER XI. (1)

MADAME DE TENCIN AND MADAME DU CHATELET

An Intriguing Chanoinesse--Her Singular Fascination--Her Salon --Its Philosophical Character--Mlle. Aisse--Romances of Mme. de Tencin--D'Alembert--La Belle Emilie--Voltaire--The Two Women Compared It was not in the restless searchings of an old society for new sensations, new diversions, nor in the fleeting expressions of individual taste or caprice, which were often little more than the play of small vanities, that the most potent forces in the political as well as in the intellectual life of France were found. It was in the coteries which attracted the best representatives of modern thought, men and women who took the world on a more serious side, and mingled more or less of earnestness even in their amusements. While the Duchesse du Maine was playing her little comedy, which began and ended in herself, another woman, of far different type, and without rank or riches , was scheming for her friends, and nursing the germs of the philosophic party in one of the most notable salons of the first half of the century. Mme. de Tencin is not an interesting figure to contemplate from a moral standpoint. "She was born with the most fascinating qualities and the most abominable defects that God ever gave to one of his creatures," said Mme. du Deffand, who was far from being able to pose, herself, as a model of virtue or decorum. But sin has its degrees, and the woman who errs within the limits of conventionality considers herself entitled to sit in judgment upon her sister who wanders outside of the fold. Measured even by the complaisant standards of her own time, there can be but one verdict upon the character of Mme. de Tencin, though it is to be hoped that the scandal-loving chroniclers have painted her more darkly than she deserved. But whatever her faults may have been, her talent and her influence were unquestioned. She posed in turn as a saint, an intrigante, and a femme d'esprit, with marked success in every one of these roles. But it was not a comedy she was playing for the amusement of the hour. Beneath the velvet softness of her manner there was a definite aim, an inflexible purpose. With the tact and facility of a Frenchwoman, she had a strong, active intellect, boundless ambition, indomitable energy, and the subtlety of an Italian.

An incident of her early life, related by Mme. du Deffand, furnishes a key to her complex character, and reveals one secret of her influence. Born of a poor and proud family in Grenoble, in 1681, Claudine Alexandrine Guerin de Tencin was destined from childhood for the cloister. Her strong aversion to the life of a nun was unavailing, and she was sent to a convent at Montfleury.

This prison does not seem to have been a very austere one, and the discipline was far from rigid. The young novice was so devout that the archbishop prophesied a new light for the church, and she easily persuaded him of the necessity of occupying the minds of the religieuses by suitable diversions. Though not yet sixteen, this pretty, attractive, vivacious girl was fertile in resources, and won her way so far into the good graces of her superiors as to be permitted to organize reunions, and to have little comedies played which called together the provincial society. She transformed the convent, but her secret disaffection was unchanged. She took the final vows under the compulsion of her inflexible father, then continued her role of devote to admirable purpose. By the zeal of her piety, the severity of her penance, and the ardor of her prayers, she gained the full sympathy of her ascetic young confessor, to whom she confided her feeling of unfitness for a religious life, and her earnest desire to be freed from the vows which sat so uneasily upon her sensitive conscience. He exhorted her to steadfastness, but finally she wrote him a letter in which she confessed her hopeless struggle against a consuming passion, and urged the necessity of immediate release. The conclusion was obvious. The Abbe Fleuret was horrified by the conviction that this pretty young nun was in love with himself, and used his influence to secure her transference to a secular order at Neuville, where as chanoinesse, she had many privileges and few restrictions. Here she became at once a favorite, as before, charming by her modest devotion, and amusing by her brilliant wit. Artfully, and by degrees, she convinced those in authority of the need of a representative in Paris. This office she was chosen to fill.

Playing her pious part to the last, protesting with tears her pain at leaving a life she loved, and her unfitness for so great an honor she set out upon her easy mission. There are many tales of a scandalous life behind all this sanctity and humility, but her new position gave her consideration, influence, and a good revenue. "Young, beautiful, clever, with an adorable talent," this "nun unhooded" fascinated the regent, and was his favorite for a few days. But her ambition got the better of her prudence.

She ventured upon political ground, and he saw her no more. With his minister, the infamous Dubois, she was more successful, and he served her purpose admirably well. Through her notorious relations with him she enriched her brother and secured him a cardinal's hat. The intrigues of this unscrupulous trio form an important episode in the history of the period. When Dubois died, within a few months of the regent, she wept, as she said, "that fools might believe she regretted him."