第156章 CHAPTER XXXIX(3)
He projected a scene, following expressions of anxiety on account of old Vernon and his future settlement: and then Clara maintaining her doggedness, to which he was now so accustomed that he could not conceive a change in it--says he: "If you determine on breaking I give you back your word on one condition." Whereupon she starts: he insists on her promise: she declines: affairs resume their former footing; she frets: she begs for the disclosure: he flatters her by telling her his desire to keep her in the family: she is unilluminated, but strongly moved by curiosity: he philosophizes on marriage "What are we? poor creatures! we must get through life as we can, doing as much good as we can to those we love; and think as you please, I love old Vernon. Am I not giving you the greatest possible proof of it?"
She will not see. Then flatly out comes the one condition. That and no other. "Take Vernon and I release you." She refuses. Now ensues the debate, all the oratory being with him. "Is it because of his unfortunate first marriage? You assured me you thought no worse of him," etc. She declares the proposal revolting. He can distinguish nothing that should offend her in a proposal to make his cousin happy if she will not him. Irony and sarcasm relieve his emotions, but he convinces her he is dealing plainly and intends generosity. She is confused; she speaks in maiden fashion.
He touches again on Vernon's early escapade. She does not enjoy it. The scene closes with his bidding her reflect on it, and remember the one condition of her release. Mrs. Mountstuart Jenkinson, now reduced to believe that he burns to be free, is then called in for an interview with Clara. His aunts Eleanor and Isabel besiege her. Laetitia in passionate earnest besieges her.
Her father is wrought on to besiege her. Finally Vernon is attacked by Willoughby and Mrs. Mountstuart:--and here, Willoughby chose to think, was the main difficulty. But the girl has money; she is agreeable; Vernon likes her; she is fond of his "Alps", they have tastes in common, he likes her father, and in the end he besieges her. Will she yield? De Craye is absent. There is no other way of shunning a marriage she is incomprehensibly but frantically averse to. She is in the toils. Her father will stay at Patterne Hall as long as his host desires it. She hesitates, she is overcome; in spite of a certain nausea due to Vernon's preceding alliance, she yields.
Willoughby revolved the entire drama in Clara's presence. It helped him to look on her coolly. Conducting her to the dinner-table, he spoke of Crossjay, not unkindly; and at table, he revolved the set of scenes with a heated animation that took fire from the wine and the face of his friend Horace, while he encouraged Horace to be flowingly Irish. He nipped the fellow good-humouredly once or twice, having never felt so friendly to him since the day of his arrival; but the position of critic is instinctively taken by men who do not flow: and Patterne Port kept Dr Middleton in a benevolent reserve when Willoughby decided that something said by De Craye was not new, and laughingly accused him of failing to consult his anecdotal notebook for the double-cross to his last sprightly sally. "Your sallies are excellent, Horace, but spare us your Aunt Sallies!" De Craye had no repartee, nor did Dr. Middleton challenge a pun. We have only to sharpen our wits to trip your seductive rattler whenever we may choose to think proper; and evidently, if we condescended to it, we could do better than he. The critic who has hatched a witticism is impelled to this opinion. Judging by the smiles of the ladies, they thought so, too.
Shortly before eleven o'clock Dr. Middleton made a Spartan stand against the offer of another bottle of Port. The regulation couple of bottles had been consumed in equal partnership, and the Rev.
Doctor and his host were free to pay a ceremonial visit to the drawing-room, where they were not expected. A piece of work of the elder ladies, a silken boudoir sofa-rug, was being examined, with high approval of the two younger. Vernon and Colonel De Craye had gone out in search of Crossjay, one to Mr. Dale's cottage, the other to call at the head and under-gamekeeper's. They were said to be strolling and smoking, for the night was fine. Willoughby left the room and came back with the key of Crossjay's door in his pocket. He foresaw that the delinquent might be of service to him.
Laetitia and Clara sang together. Laetitia was flushed, Clara pale. At eleven they saluted the ladies Eleanor and Isabel.
Willoughby said "Good-night" to each of them, contrasting as he did so the downcast look of Laetitia with Clara's frigid directness. He divined that they were off to talk over their one object of common interest, Crossjay. Saluting his aunts, he took up the rug, to celebrate their diligence and taste; and that he might make Dr. Middleton impatient for bed, he provoked him to admire it, held it out and laid it out, and caused the courteous old gentleman some confusion in hitting on fresh terms of commendation.
Before midnight the room was empty. Ten minutes later Willoughby paid it a visit, and found it untenanted by the person he had engaged to be there. Vexed by his disappointment, he paced up and down, and chanced abstractedly to catch the rug in his hand; for what purpose, he might well ask himself; admiration of ladies" work, in their absence, was unlikely to occur to him.
Nevertheless. the touch of the warm, soft silk was meltingly feminine. A glance at the mantel-piece clock told him Laetitia was twenty minutes behind the hour. Her remissness might endanger all his plans, alter the whole course of his life. The colours in which he painted her were too lively to last; the madness in his head threatened to subside. Certain it was that he could not be ready a second night for the sacrifice he had been about to perform.
The clock was at the half hour after twelve. He flung the silken thing on the central ottoman, extinguished the lamps, and walked out of the room, charging the absent Laetitia to bear her misfortune with a consciousness of deserving it.