第23章 IV(1)

A Day Behind the Counter

TOWARDS noon, Hepzibah saw an elderly gentleman, large and portly, and of remarkably dignified demeanor, passing slowly along on the opposite side of the white and dusty street. On coming within the shadow of the Pyncheon Elm, he stopt, and (taking off his hat, meanwhile, to wipe the perspiration from his brow) seemed to scrutinize, with especial interest, the dilapidated and rusty-visaged House of the Seven Gables. He himself, in a very different style, was as well worth looking at as the house.

No better model need be sought, nor could have been found, of a very high order of respectability, which, by some indescribable magic, not merely expressed itself in his looks and gestures, but even governed the fashion of his garments, and rendered them all proper and essential to the man. Without appearing to differ, in any tangible way, from other people's clothes, there was yet a wide and rich gravity about them that must have been a characteristic of the wearer, since it could not be defined as pertaining either to the cut or material. His gold-headed cane, too,--a serviceable staff, of dark polished wood,--had similar traits, and, had it chosen to take a walk by itself, would have been recognized anywhere as a tolerably adequate representative of its master. This character --which showed itself so strikingly in everything about him, and the effect of which we seek to convey to the reader--went no deeper than his station, habits of life, and external circumstances.

One perceived him to be a personage of marked influence and authority;and, especially, you could feel just as certain that he was opulent as if he had exhibited his bank account, or as if you had seen him touching the twigs of the Pyncheon Elm, and, Midas-like, transmuting them to gold.

In his youth, he had probably been considered a handsome man;at his present age, his brow was too heavy, his temples too bare, his remaining hair too gray, his eye too cold, his lips too closely compressed, to bear any relation to mere personal beauty. He would have made a good and massive portrait; better now, perhaps, than at any previous period of his life, although his look might grow positively harsh in the process of being fixed upon the canvas.

The artist would have found it desirable to study his face, and prove its capacity for varied expression; to darken it with a frown, --to kindle it up with a smile.

While the elderly gentleman stood looking at the Pyncheon House, both the frown and the smile passed successively over his countenance.

His eye rested on the shop-window, and putting up a pair of gold-bowed spectacles, which he held in his hand, he minutely surveyed Hepzibah's little arrangement of toys and commodities. At first it seemed not to please him,--nay, to cause him exceeding displeasure,--and yet, the very next moment, he smiled. While the latter expression was yet on his lips, he caught a glimpse of Hepzibah, who had involuntarily bent forward to the window; and then the smile changed from acrid and disagreeable to the sunniest complacency and benevolence. He bowed, with a happy mixture of dignity and courteous kindliness, and pursued his way.

"There he is!" said Hepzibah to herself, gulping down a very bitter emotion, and, since she could not rid herself of it, trying to drive it back into her heart. "What does he think of it, I wonder? Does it please him? Ah! he is looking back!"The gentleman had paused in the street, and turned himself half about, still with his eyes fixed on the shop-window. In fact, he wheeled wholly round, and commenced a step or two, as if designing to enter the shop; but, as it chanced, his purpose was anticipated by Hepzibah's first customer, the little cannibal of Jim Crow, who, staring up at the window, was irresistibly attracted by an elephant of gingerbread. What a grand appetite had this small urchin!

--Two Jim Crows immediately after breakfast!--and now an elephant, as a preliminary whet before dinner. By the time this latter purchase was completed, the elderly gentleman had resumed his way, and turned the street corner.

"Take it as you like, Cousin Jaffrey." muttered the maiden lady, as she drew back, after cautiously thrusting out her head, and looking up and down the street,--"Take it as you like! You have seen my little shop--window. Well!--what have you to say?--is not the Pyncheon House my own, while I'm alive?"After this incident, Hepzibah retreated to the back parlor, where she at first caught up a half-finished stocking, and began knitting at it with nervous and irregular jerks; but quickly finding herself at odds with the stitches, she threw it aside, and walked hurriedly about the room. At length she paused before the portrait of the stern old Puritan, her ancestor, and the founder of the house. In one sense, this picture had almost faded into the canvas, and hidden itself behind the duskiness of age; in another, she could not but fancy that it had been growing more prominent and strikingly expressive, ever since her earliest familiarity with it as a child.

For, while the physical outline and substance were darkening away from the beholder's eye, the bold, hard, and, at the same time, indirect character of the man seemed to be brought out in a kind of spiritual relief. Such an effect may occasionally be observed in pictures of antique date. They acquire a look which an artist (if he have anything like the complacency of artists nowadays)would never dream of presenting to a patron as his own characteristic expression, but which, nevertheless, we at once recognize as reflecting the unlovely truth of a human soul. In such cases, the painter's deep conception of his subject's inward traits has wrought itself into the essence of the picture, and is seen after the superficial coloring has been rubbed off by time.

While gazing at the portrait, Hepzibah trembled under its eye.