第102章 XVIII(4)

--yes!--not quite! And there is still the swarthy whiteness,--we shall venture to marry these ill-agreeing words,--the swarthy whiteness of Judge Pyncheon's face. The features are all gone: there is only the paleness of them left. And how looks it now?

There is no window! There is no face! An infinite, inscrutable blackness has annihilated sight! Where is our universe? All crumbled away from us; and we, adrift in chaos, may hearken to the gusts of homeless wind, that go sighing and murmuring about in quest of what was once a world!

Is there no other sound? One other, and a fearful one. It is the ticking of the Judge's watch, which, ever since Hepzibah left the room in search of Clifford, he has been holding in his hand. Be the cause what it may, this little, quiet, never-ceasing throb of Time's pulse, repeating its small strokes with such busy regularity, in Judge Pyncheon's motionless hand, has an effect of terror, which we do not find in any other accompaniment of the scene.

But, listen! That puff of the breeze was louder. it, had a tone unlike the dreary and sullen one which has bemoaned itself, and afflicted all mankind with miserable sympathy, for five days past.

The wind has veered about! It now comes boisterously from the northwest, and, taking hold of the aged framework of the Seven Gables, gives it a shake, like a wrestler that would try strength with his antagonist. Another and another sturdy tussle with the blast! The old house creaks again, and makes a vociferous but somewhat unintelligible bellowing in its sooty throat (the big flue, we mean, of its wide chimney), partly in complaint at the rude wind, but rather, as befits their century and a half of hostile intimacy, in tough defiance. A rumbling kind of a bluster roars behind the fire-board. A door has slammed above stairs.

A window, perhaps, has been left open, or else is driven in by an unruly gust. It is not to be conceived, before-hand, what wonderful wind-instruments are these old timber mansions, and how haunted with the strangest noises, which immediately begin to sing, and sigh, and sob, and shriek,--and to smite with sledge-hammers, airy but ponderous, in some distant chamber, --and to tread along the entries as with stately footsteps, and rustle up and down the staircase, as with silks miraculously stiff,--whenever the gale catches the house with a window open, and gets fairly into it. Would that we were not an attendant spirit here! It is too awful! This clamor of the wind through the lonely house; the Judge's quietude, as he sits invisible;and that pertinacious ticking of his watch!

As regards Judge Pyncheon's invisibility, however, that matter will soon be remedied. The northwest wind has swept the sky clear. The window is distinctly seen. Through its panes, moreover, we dimly catch the sweep of the dark, clustering foliage outside, fluttering with a constant irregularity of movement, and letting in a peep of starlight, now here, now there. Oftener than any other object, these glimpses illuminate the Judge's face. But here comes more effectual light. Observe that silvery dance upon the upper branches of the pear-tree, and now a little lower, and now on the whole mass of boughs, while, through their shifting intricacies, the moonbeams fall aslant into the room. They play over the Judge's figure and show that he has not stirred throughout the hours of darkness.

They follow the shadows, in changeful sport, across his unchanging features. They gleam upon his watch. His grasp conceals the dial-plate,--but we know that the faithful hands have met;for one of the city clocks tells midnight.

A man of sturdy understanding, like Judge Pyncheon, cares no more for twelve o'clock at night than for the corresponding hour of noon. However just the parallel drawn, in some of the preceding pages, between his Puritan ancestor and himself, it fails in this point. The Pyncheon of two centuries ago, in common with most of his contemporaries, professed his full belief in spiritual ministrations, although reckoning them chiefly of a malignant character. The Pyncheon of to-night, who sits in yonder arm-chair, believes in no such nonsense. Such, at least, was his creed, some few hours since. His hair will not bristle, therefore, at the stories which--in times when chimney-corners had benches in them, where old people sat poking into the ashes of the past, and raking out traditions like live coals--used to be told about this very room of his ancestral house. In fact, these tales are too absurd to bristle even childhood's hair. What sense, meaning, or moral, for example, such as even ghost-stories should be susceptible of, can be traced in the ridiculous legend, that, at midnight, all the dead Pyncheons are bound to assemble in this parlor? And, pray, for what? Why, to see whether the portrait of their ancestor still keeps its place upon the wall, in compliance with his testamentary directions! Is it worth while to come out of their graves for that?

We are tempted to make a little sport with the idea. Ghost-stories are hardly to be treated seriously any longer. The family-party of the defunct Pyncheons, we presume, goes off in this wise.

First comes the ancestor himself, in his black cloak, steeple-hat, and trunk-breeches, girt about the waist with a leathern belt, in which hangs his steel-hilted sword; he has a long staff in his hand, such as gentlemen in advanced life used to carry, as much for the dignity of the thing as for the support to be derived from it. He looks up at the portrait; a thing of no substance, gazing at its own painted image! All is safe. The picture is still there.

The purpose of his brain has been kept sacred thus long after the man himself has sprouted up in graveyard grass. See! he lifts his ineffectual hand, and tries the frame. All safe! But is that a smile?--is it not, rather a frown of deadly import, that darkens over the shadow of his features? The stout Colonel is dissatisfied!