Robert Falconer
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第22章

Robert handed him the case.Shargar undid the hooks in a moment, and revealed the creature lying in its shell like a boiled bivalve.

'I tellt ye sae!' he exclaimed triumphantly.'Maybe ye'll lippen to me (trust me) neist time.'

'An' I tellt you,' retorted Robert, with an equivocation altogether unworthy of his growing honesty.'I was cocksure that cudna be a fiddle.There's the fiddle i' the hert o' 't! Losh! I min' noo.

It maun be my grandfather's fiddle 'at I hae heard tell o'.'

'No to ken a fiddle-case!' reflected Shargar, with as much of contempt as it was possible for him to show.

'I tell ye what, Shargar,' returned Robert, indignantly; 'ye may ken the box o' a fiddle better nor I do, but de'il hae me gin I dinna ken the fiddle itsel' raither better nor ye do in a fortnicht frae this time.I s' tak' it to Dooble Sanny; he can play the fiddle fine.An' I'll play 't too, or the de'il s' be in't.'

'Eh, man, that 'll be gran'!' cried Shargar, incapable of jealousy.

'We can gang to a' the markets thegither and gaither baubees (halfpence).'

To this anticipation Robert returned no reply, for, hearing Betty come in, he judged it time to restore the violin to its case, and Betty's candle to the kitchen, lest she should invade the upper regions in search of it.But that very night he managed to have an interview with Dooble Sanny, the shoemaker, and it was arranged between them that Robert should bring his violin on the evening at which my story has now arrived.

Whatever motive he had for seeking to commence the study of music, it holds even in more important matters that, if the thing pursued be good, there is a hope of the pursuit purifying the motive.And Robert no sooner heard the fiddle utter a few mournful sounds in the hands of the soutar, who was no contemptible performer, than he longed to establish such a relation between himself and the strange instrument, that, dumb and deaf as it had been to him hitherto, it would respond to his touch also, and tell him the secrets of its queerly-twisted skull, full of sweet sounds instead of brains.From that moment he would be a musician for music's own sake, and forgot utterly what had appeared to him, though I doubt if it was, the sole motive of his desire to learn--namely, the necessity of retaining his superiority over Shargar.

What added considerably to the excitement of his feelings on the occasion, was the expression of reverence, almost of awe, with which the shoemaker took the instrument from its case, and the tenderness with which he handled it.The fact was that he had not had a violin in his hands for nearly a year, having been compelled to pawn his own in order to alleviate the sickness brought on his wife by his own ill-treatment of her, once that he came home drunk from a wedding.It was strange to think that such dirty hands should be able to bring such sounds out of the instrument the moment he got it safely cuddled under his cheek.So dirty were they, that it was said Dooble Sanny never required to carry any rosin with him for fiddler's need, his own fingers having always enough upon them for one bow at least.Yet the points of those fingers never lost the delicacy of their touch.Some people thought this was in virtue of their being washed only once a week--a custom Alexander justified on the ground that, in a trade like his, it was of no use to wash oftener, for he would be just as dirty again before night.

The moment he began to play, the face of the soutar grew ecstatic.

He stopped at the very first note, notwithstanding, let fall his arms, the one with the bow, the other with the violin, at his sides, and said, with a deep-drawn respiration and lengthened utterance:

'Eh!'