Character
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第91章 MANNER--ART.(10)

(14) Emerson is said to have had Nathaniel Hawthorne in his mind when writing the following passage in his 'Society and Solitude:'--"The most agreeable compliment you could pay him was, to imply that you had not observed him in a house or a street where you had met him. Whilst he suffered at being seen where he was, he consoled himself with the delicious thought of the inconceivable number of places where he was not. All he wished of his tailor was to provide that sober mean of colour and cut which would never detain the eye for a moment.... He had a remorse, running to despair, of his social GAUCHERIES, and walked miles and miles to get the twitchings out of his face, and the starts and shrugs out of his arms and shoulders. 'God may forgive sins,' he said, 'but awkwardness has no forgiveness in heaven or earth.'"(15) In a series of clever articles in the REVUE DES DEUX MONDES, entitled, 'Six mille Lieues a toute Vapeur,' giving a description of his travels in North America, Maurice Sand keenly observed the comparatively anti-social proclivities of the American compared with the Frenchman. The one, he says, is inspired by the spirit of individuality, the other by the spirit of society. In America he sees the individual absorbing society; as in France he sees society absorbing the individual. "Ce peuple Anglo-Saxon," he says, "qui trouvait devant lui la terre, l'instrument de travail, sinon inepuisable, du mons inepuise, s'est mis a l'exploiter sous l'inspiration de l'egoisme; et nous autres Francais, nous n'avons rien su en faire, parceque NOUS NE POUVONS RIEN DANSL'ISOLEMENT.... L'Americain supporte la solitude avec un stoicisme admirable, mais effrayant; il ne l'aime pas, il ne songe qu'a la detruire.... Le Francais est tout autre. Il aime son parent, son ami, son compagnon, et jusqu'a son voisin d'omnibus ou de theatre, si sa figure lui est sympathetique. Pourquoi? Parce qu'il le regarde et cherche son ame, parce qu'il vit dans son semblable autant qu'en lui-meme. Quand il est longtemps seul, il deperit, et quand il est toujours seul, it meurt."All this is perfectly true, and it explains why the comparatively unsociable Germans, English, and Americans, are spreading over the earth, while the intensely sociable Frenchmen, unable to enjoy life without each other's society, prefer to stay at home, and France fails to extend itself beyond France.

(16) The Irish have, in many respects, the same strong social instincts as the French. In the United States they cluster naturally in the towns, where they have their "Irish Quarters," as in England.

They are even more Irish there than at home, and can no more forget that they are Irishmen than the French can that they are Frenchmen. "I deliberately assert," says Mr. Maguire, in his recent work on 'The Irish in America,' "that it is not within the power of language to describe adequately, much less to exaggerate, the evils consequent on the unhappy tendency of the Irish to congregate in the large towns of America." It is this intense socialism of the Irish that keeps them in a comparatively hand-to-mouth condition in all the States of the Union.

(17) 'The Statesman,' p. 35.

(18) Nathaniel Hawthorne, in his 'First Impressions of France and Italy,' says his opinion of the uncleanly character of the modern Romans is so unfavourable that he hardly knows how to express it "But the fact is that through the Forum, and everywhere out of the commonest foot-track and roadway, you must look well to your steps.... Perhaps there is something in the minds of the people of these countries that enables them to dissever small ugliness from great sublimity and beauty. They spit upon the glorious pavement of St. Peter's, and wherever else they like; they place paltry-looking wooden confessionals beneath its sublime arches, and ornament them with cheap little coloured prints of the Crucifixion; they hang tin hearts, and other tinsel and trumpery, at the gorgeous shrines of the saints, in chapels that are encrusted with gems, or marbles almost as precious; they put pasteboard statues of saints beneath the dome of the Pantheon;--in short, they let the sublime and the ridiculous come close together, and are not in the least troubled by the proximity."(19) Edwin Chadwick's 'Address to the Economic Science and Statistic Section,' British Association (Meeting, 1862).