BURNING DAYLIGHT
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第58章

"But it don't sound right, just the same," he complained. At this she laughed outright.

"I beg your pardon," she hastened to make amends, and then spoiled it by adding, "but you are so funny."Daylight began to feel a slight awkwardness, and the sun would persist in setting her hair a-smouldering.

"I didn't mean to be funny," he said.

"That was why I laughed. But it is right, and perfectly good grammar.""All right," he sighed--"I shall meet you halfway in this proposition--got that?" And the dictation went on. He discovered that in the intervals, when she had nothing to do, she read books and magazines, or worked on some sort of feminine fancy work.

Passing her desk, once, he picked up a volume of Kipling's poems and glanced bepuzzled through the pages. "You like reading, Miss Mason?" he said, laying the book down.

"Oh, yes," was her answer; "very much."

Another time it was a book of Wells', The Wheels of Change. "What's it all about?" Daylight asked.

"Oh, it's just a novel, a love-story." She stopped, but he still stood waiting, and she felt it incumbent to go on.

"It's about a little Cockney draper's assistant, who takes a vacation on his bicycle, and falls in with a young girl very much above him. Her mother is a popular writer and all that. And the situation is very curious, and sad, too, and tragic. Would you care to read it?""Does he get her?" Daylight demanded.

"No; that's the point of it. He wasn't--""And he doesn't get her, and you've read all them pages, hundreds of them, to find that out?" Daylight muttered in amazement.

Miss Mason was nettled as well as amused.

"But you read the mining and financial news by the hour," she retorted.

"But I sure get something out of that. It's business, and it's different.

I get money out of it. What do you get out of books?""Points of view, new ideas, life."

"Not worth a cent cash."

"But life's worth more than cash," she argued.

"Oh, well," he said, with easy masculine tolerance, "so long as you enjoy it. That's what counts, I suppose; and there's no accounting for taste."Despite his own superior point of view, he had an idea that she knew a lot, and he experienced a fleeting feeling like that of a barbarian face to face with the evidence of some tremendous culture. To Daylight culture was a worthless thing, and yet, somehow, he was vaguely troubled by a sense that there was more in culture than he imagined.

Again, on her desk, in passing, he noticed a book with which he was familiar. This time he did not stop, for he had recognized the cover. It was a magazine correspondent's book on the Klondike, and he knew that he and his photograph figured in it and he knew, also, of a certain sensational chapter concerned with a woman's suicide, and with one "Too much Daylight."After that he did not talk with her again about books. He imagined what erroneous conclusions she had drawn from that particular chapter, and it stung him the more in that they were undeserved. Of all unlikely things, to have the reputation of being a lady-killer,--he, Burning Daylight,--and to have a woman kill herself out of love for him. He felt that he was a most unfortunate man and wondered by what luck that one book of all the thousands of books should have fallen into his stenographer's hands. For some days afterward he had an uncomfortable sensation of guiltiness whenever he was in Miss Mason's presence; and once he was positive that he caught her looking at him with a curious, intent gaze, as if studying what manner of man he was.

He pumped Morrison, the clerk, who had first to vent his personal grievance against Miss Mason before he could tell what little he knew of her.